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Christos Tsiolkas and the Fiction of Critique by Andrew McCann

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Christos Tsiolkas and the Fiction of Critique

Politics, Obscenity, Celebrity

Andrew McCann

Anthem Press · Print & ebook · June 15, 2015

Reading lane: Australian & Oceanian Literary Criticism

Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today.

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At a Glance

Who It's For

Reading lane: Australian & Oceanian Literary Criticism and Queer Literary Criticism.Publisher: Anthem Press.

Book Details

Authors
Andrew McCann
Publisher
Anthem Press
Published
June 15, 2015
Format
Print & ebook
Theme
Australian & Oceanian Literary Criticism · Queer Literary Criticism
Reading lane
Australian & Oceanian Literary Criticism

Affinity

Publisher Categories

  • Australian & Oceanian Literary Criticism

  • Queer Literary Criticism

  • Literary Criticism

About This Book

Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country’s most politically engaged writers. These terms – recognition, commercial success, political engagement – suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas’s fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasph...

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Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country’s most politically engaged writers. These terms – recognition, commercial success, political engagement – suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas’s fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility. ‘Christos Tsiolkas and the Fiction of Critique’ traces these contradictions against Tsiolkas’s acute sense of the waning of working-class identity, and reads his work as a sustained examination of the ways in which literature might express an opposition to capitalist modernity.

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