BookFrontier
Galatea and Midas by George Hunter

Book

Galatea and Midas

John Lyly

George Hunter, Stephen Bevington, John Lyly

Manchester University Press · Print & ebook · January 1, 2007

Reading lane: LITERARY CRITICISM / Modern / 16th Century

Buy on AmazonBrowse Lists

Disclosure: Some outbound links are affiliate links. If you buy through them, we may earn a commission. It doesn't affect which books we include. Learn more in our disclosure policy.

At a Glance

Who It's For

Good for fans of PlaysGood for readers who enjoy LITERARY CRITICISM / Modern / 16th Century and Italian Plays.

Book Details

Authors
George Hunter, Stephen Bevington, John Lyly
Publisher
Manchester University Press
Published
January 1, 2007
Format
Print & ebook
Theme
LITERARY CRITICISM / Modern / 16th Century · Italian Plays
Reading lane
LITERARY CRITICISM / Modern / 16th Century

Affinity

Publisher Categories

  • Renaissance Literary Criticism

  • LITERARY CRITICISM / Modern / 16th Century

About This Book

Galatea and Midas are two of John Lyly's most engaging plays. Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year 'the fairest and chastest virgin in all the country' be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. Galatea has become the...

Read full description

Galatea and Midas are two of John Lyly's most engaging plays. Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year 'the fairest and chastest virgin in all the country' be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. Galatea has become the subject of considerable feminist critical study in recent years. Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

Similar Books