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Territory of Desire by Ananya Jahanara Kabir

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Territory of Desire

Representing the Valley of Kashmir

Ananya Jahanara Kabir

University of Minnesota Press · Print & ebook · March 12, 2009

Reading lane: Indic Literary Criticism

Moves beyond traditional analysis to understand the conflict over Kashmir A result of territorial disputes between India and Pakistan since 1947, exacerbated by armed freedom movements since 1989, the ongoing conflict over Kashmir is consistently in the news.

At a Glance

Who It's For

Good for readers interested in how Kashmir is represented in national imaginationsReaders exploring colonialism, modernity, and conflict in Kashmir

Book Details

Authors
Ananya Jahanara Kabir
Publisher
University of Minnesota Press
Published
March 12, 2009
Format
Print & ebook
Theme
Indic Literary Criticism · India & South Asia Travel
Reading lane
Indic Literary Criticism

Affinity

Publisher Categories

  • Indian & South Asian History

  • Indic Literary Criticism

About This Book

Moves beyond traditional analysis to understand the conflict over Kashmir A result of territorial disputes between India and Pakistan since 1947, exacerbated by armed freedom movements since 1989, the ongoing conflict over Kashmir is consistently in the news. Taking a unique multidisciplinary approach, Territory of Desire asks how, and why, Kashmir came to be so intensely desired within Indian, Pakistani, and Kashmiri nationalistic imaginations. Literary historian Ananya Jah...

Read full description

Moves beyond traditional analysis to understand the conflict over Kashmir A result of territorial disputes between India and Pakistan since 1947, exacerbated by armed freedom movements since 1989, the ongoing conflict over Kashmir is consistently in the news. Taking a unique multidisciplinary approach, Territory of Desire asks how, and why, Kashmir came to be so intensely desired within Indian, Pakistani, and Kashmiri nationalistic imaginations. Literary historian Ananya Jahanara Kabir finds an answer to this question in the Valley of Kashmir’s repeated portrayal as a “special” place and the missing piece of Pakistan and India. Analyzing the conversion of natural beauty into collective desire—through photography, literature, cinema, art, and souvenir production—Kabir exposes the links between colonialism, modernity, and conflict within the postcolonial nation. Representations of Kashmir as a space of desire emerge in contemporary film, colonial “taming” of the valley through nineteenth-century colonialist travelogues, the fetishization of traditional Kashmiri handicrafts like papier maché, and Pandit and Muslim religious revivalisms in the region. Linking a violent modernity to the fantasies of nationhood, Kabir proposes nonmilitaristic ways in which such desire may be overcome. In doing so she offers an innovative approach to complex and protracted conflict and, ultimately, its resolution.

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