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Sergio Larrain by Sergio Larrain

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Sergio Larrain

Valparaíso

Sergio Larrain

WW Norton · Print & ebook · February 4, 2025

Reading lane: Photographer Monographs

The first English-language publication of Sergio Larrain's much-prized book which explores his artistic relationship with the Chilean seaport he called home.

At a Glance

Who It's For

For readers interested in Sergio Larrain’s photography of ValparaísoFor readers drawn to photographic books about Chilean places

Book Details

Authors
Sergio Larrain
Publisher
WW Norton
Published
February 4, 2025
Format
Print & ebook
Theme
Photographer Monographs · Street Photography
Reading lane
Photographer Monographs

Affinity

Publisher Categories

  • Photographer Monographs

  • Photojournalism

  • Street Photography

About This Book

The first English-language publication of Sergio Larrain's much-prized book which explores his artistic relationship with the Chilean seaport he called home. Sergio Larrain (1931–2012) published very few books during his lifetime, but perhaps the most celebrated was Valparaíso . He photographed this Chilean seaport throughout his career, but it was in the early 1960s, when he returned to his homeland after traveling the world as a Magnum photographer, that it became a focus...

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The first English-language publication of Sergio Larrain's much-prized book which explores his artistic relationship with the Chilean seaport he called home. Sergio Larrain (1931–2012) published very few books during his lifetime, but perhaps the most celebrated was Valparaíso . He photographed this Chilean seaport throughout his career, but it was in the early 1960s, when he returned to his homeland after traveling the world as a Magnum photographer, that it became a focus of his attention. He saw it as "a sordid yet romantic city," standing between the Andes and the Pacific Ocean, falling into a slow decline as its trading importance faded away, yet still retaining hints of beauty and magic. Sergio Larrain: Valparaíso is based on a layout designed by Larrain in 1993 in response to the original French edition of 1991. It features a text by Nobel laureate Pablo Neruda, specially written for Larrain; an essay by Agnès Sire; and a selection of previously unpublished photographs taken between 1952 and 1992, expanding the original thirty-six images to a total of 120. Handwritten notes and texts by Larrain himself accompany the photographs.

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