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Textual Exposures by Dan Russek

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Textual Exposures

Photography in Twentieth Century Latin American Narrative Fiction

Dan Russek

University of Calgary Press · Print & ebook · April 21, 2015

Reading lane: Caribbean & Latin American Criticism

At a Glance

Who It's For

Good for readers who enjoy Caribbean & Latin American CriticismGood for readers who enjoy Caribbean & Latin American Criticism and Hispanic American Lit Crit.

Book Details

Authors
Dan Russek
Publisher
University of Calgary Press
Published
April 21, 2015
Format
Print & ebook
Theme
Caribbean & Latin American Criticism · Hispanic American Lit Crit
Reading lane
Caribbean & Latin American Criticism

Affinity

Publisher Categories

  • Caribbean & Latin American Criticism

  • Literary Theory

  • Comparative Literature

  • Photography Criticism

Show all 5 publisher categories
  • How Cultures Work

About This Book

Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction examines how twentieth-century Spanish American literature has registered photography's powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media en...

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Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction examines how twentieth-century Spanish American literature has registered photography's powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media environment in which they were created. The writings analyzed enter a dialogic relation with visual technologies such as the x-ray, cinema, illustrated journalism, and television. The study examines how these technologies, historically and aesthetically linked to the photographic medium, inform the works of some of the most important writers in Latin America. Methodologically, the close readings of the texts centre on the figure of ekphrasis (defined as the verbal representation of a visual representation). The book is concerned with the thematic, symbolic, structural and cultural imprints photography leaves in narrative texts. The author relies on an immanent approach, reading the selected texts according to their own specificities and making the relevant thematic and structural connections between them drawing from a variety of sources in the fields of literary criticism and theory and history of photography.

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