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In the Land of the Cyclops by Karl Ove Knausgaard
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In the Land of the Cyclops

New York Review Books · 2021-01-05

Edition details: Hardcover – January 5, 2021

In the Land of the Cyclops:

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Who It's For

  • Good for readers who enjoy Literary Criticism / European / Scandinavian
  • Good for readers interested in short stories
  • Good for fans of Essays

What You Get

  • Themes: Literary, Book Club, Essays.
  • Reading lane: European and Modern.
  • Publisher: New York Review Books.

Categories

What we read

  • Literary Criticism / European / Scandinavian

    79%
  • LITERARY CRITICISM / Modern / 20th Century

    77%
  • Literary Collections / European / Scandinavian

    77%

About This Book

Knausgaard’s struggle is still ongoing with In the Land of the Cyclops as he continues to navigate the fjord of truth between reality and experience “This, which we perhaps could call inexhaustible precision, is the goal of all art, and its essential legitimacy.” —Jessica Ferri, The Los Angeles Times In his first essay collection to be published in English, the New York Times bestselling author of the My Struggle series Karl Ove Knausgaard explores art, philosophy, and liter...

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Knausgaard’s struggle is still ongoing with In the Land of the Cyclops as he continues to navigate the fjord of truth between reality and experience “This, which we perhaps could call inexhaustible precision, is the goal of all art, and its essential legitimacy.” —Jessica Ferri, The Los Angeles Times In his first essay collection to be published in English, the New York Times bestselling author of the My Struggle series Karl Ove Knausgaard explores art, philosophy, and literature with piercing candor and remarkable erudition. Paired with full color-images, his essays render the shadowlands of Cindy Sherman’s photography, illuminate the depth of Stephen Gill’s eye, and tussle with the inner mechanics of Ingmar Bergman’s workbooks. In one essay he describes the figure of Francesca Woodman, arms coiled in birch bark and reaching up toward the sky—a tree. In another, he unearths Sally Mann’s photographs of decomposing corpses, so much so that branches and limbs, hair and grass, begin to harmonize. Each essay bristles with Knausgaard’s searing honesty and longing to authentically see, understand, and experience the world.

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