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Lost Time by Jozef Czapski

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Lost Time

Lectures on Proust in a Soviet Prison Camp

Jozef Czapski, Eric Karpeles, Józef Czapski

New York Review Books · Print & ebook · November 6, 2018

Reading lane: French Literary Criticism

The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II.

At a Glance

Who It's For

Good for readers who enjoy French Literary CriticismGood for readers interested in short storiesGood for readers who enjoy French Literary Criticism and East European Literary Criticism.

Book Details

Authors
Jozef Czapski, Eric Karpeles, Józef Czapski
Publisher
New York Review Books
Published
November 6, 2018
Format
Print & ebook
Theme
French Literary Criticism · East European Literary Criticism
Reading lane
French Literary Criticism

Affinity

Publisher Categories

  • Speeches Collection

  • French Literary Criticism

  • Literature & History

About This Book

The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II. During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s m...

Read full description

The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II. During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and ­altogether unparalleled feat of the critical imagination into English for the first time, and in a thoughtful introduction he brings out how, in reckoning with Proust’s great meditation on memory, Czapski helped his fellow officers to remember that there was a world apart from the world of the camp. Proust had staked the art of the novelist against the losses of a lifetime and the imminence of death. Recalling that triumphant wager, unfolding, like Sheherazade, the intricacies of Proust’s world night after night, Czapski showed to men at the end of their tether that the past remained present and there was a future in which to hope.

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