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Ingratitude by erin Khuê Ninh

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Ingratitude

The Debt-bound Daughter in Asian American Literature

erin Khuê Ninh

NYU Press · Print & ebook · March 28, 2011

Reading lane: Asian American Literary Criticism

2013 Winner of the Asian American Studies Association's prize in Literary Studies Anger and bitterness tend to pervade narratives written by second generation Asian American daughters, despite their largely unremarkable upbringings.

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At a Glance

Who It's For

Good for fans of Asian AmericanGood for readers who enjoy Asian American Literary Criticism and Asian & Asian American Lives.

Book Details

Authors
erin Khuê Ninh
Publisher
NYU Press
Published
March 28, 2011
Format
Print & ebook
Theme
Asian American Literary Criticism · Asian & Asian American Lives
Reading lane
Asian American Literary Criticism

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Publisher Categories

  • Asian American Literary Criticism

About This Book

2013 Winner of the Asian American Studies Association's prize in Literary Studies Anger and bitterness tend to pervade narratives written by second generation Asian American daughters, despite their largely unremarkable upbringings. In Ingratitude, erin Khuê Ninh explores this apparent paradox, locating in the origins of these women’s maddeningly immaterial suffering not only racial hegemonies but also the structure of the immigrant family itself. She argues that the filial...

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2013 Winner of the Asian American Studies Association's prize in Literary Studies Anger and bitterness tend to pervade narratives written by second generation Asian American daughters, despite their largely unremarkable upbringings. In Ingratitude, erin Khuê Ninh explores this apparent paradox, locating in the origins of these women’s maddeningly immaterial suffering not only racial hegemonies but also the structure of the immigrant family itself. She argues that the filial debt of these women both demands and defies repayment—all the better to produce the docile subjects of a model minority.Through readings of Jade Snow Wong’s Fifth Chinese Daughter, Maxine Hong Kingston’s The Woman Warrior, Evelyn Lau’s Runaway: Diary of a Street Kid, Catherine Liu’s Oriental Girls Desire Romance, and other texts, Ninh offers not an empirical study of intergenerational conflict so much as an explication of the subjection and psyche of the Asian American daughter. She connects common literary tropes to their theoretical underpinnings in power, profit, and subjection. In so doing, literary criticism crosses over into a kind of collective memoir of the Asian immigrants’ daughter as an analysis not of the daughter, but for and by her.

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