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Every Man Out of His Humour by Helen Ostovich

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Every Man Out of His Humour

Ben Jonson

Helen Ostovich, Ben Jonson

Manchester University Press · Print & ebook · September 1, 2008

Reading lane: 16th-Century Literary Criticism

Despite its popularity when it first appeared in print in 1600, Every Man out of His Humour has never appeared as a single modern critical edition until now.

At a Glance

Who It's For

Good for readers who enjoy 16th-Century Literary CriticismGood for readers who enjoy 16th-Century Literary Criticism and Theater History & Criticism.

Book Details

Authors
Helen Ostovich, Ben Jonson
Publisher
Manchester University Press
Published
September 1, 2008
Format
Print & ebook
Theme
16th-Century Literary Criticism · Theater History & Criticism
Reading lane
16th-Century Literary Criticism

Affinity

Publisher Categories

  • 16th-Century Literary Criticism

  • Television History & Criticism

About This Book

Despite its popularity when it first appeared in print in 1600, Every Man out of His Humour has never appeared as a single modern critical edition until now. The volume's introduction and annotations convey early modern obsessions with wealth and self-display by providing historical contexts and pointing out the continuity of those obsessions into modern life. The play is of interest because of its influence on the course of city comedy and its wealth of information about so...

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Despite its popularity when it first appeared in print in 1600, Every Man out of His Humour has never appeared as a single modern critical edition until now. The volume's introduction and annotations convey early modern obsessions with wealth and self-display by providing historical contexts and pointing out the continuity of those obsessions into modern life. The play is of interest because of its influence on the course of city comedy and its wealth of information about social relationships and colloquial language at the end of Elizabeth's reign. Jonson's experiments in generating theatrical meaning continued throughout his career, but Every Man out of His Humour – with its youthful vigour and extraordinary visualizations of the urban capacity for self-deceit – is a text that enriches the understanding of all the plays that come after it.

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