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Kazan on Directing by Elia Kazan

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Kazan on Directing

Elia Kazan

Knopf Doubleday Publishing Group · Paperback · January 12, 2010

Reading lane: Film Direction & Production

Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work.

At a Glance

Why This Clicks

Inside the Director’s Mind

Kazan’s notes and reflections make directing feel like a craft of close reading, instinct, and choice.

Come here for

  • A view of how one director finds a script’s core
  • Reflections spanning stage and screen

Expect

  • Notebook excerpts, letters, interviews, and autobiography
  • Advice for artists, writers, actors, and directors

Book Details

Authors
Elia Kazan
Publisher
Knopf Doubleday Publishing Group
Published
January 12, 2010
Format
Paperback
Theme
Film Direction & Production · Theater Production & Direction
Reading lane
Film Direction & Production

Affinity

Publisher Categories

  • Lives in Entertainment

  • Film Direction & Production

  • Stagecraft

About This Book

Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes— A Streetcar Named Desire, Death of a Salesman, On the Waterfront , to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered...

Read full description

Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes— A Streetcar Named Desire, Death of a Salesman, On the Waterfront , to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors.

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