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A Practical Handbook for the Actor by Melissa Bruder

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A Practical Handbook for the Actor

Melissa Bruder, Lee Michael Cohn, Madeleine Olnek

Knopf Doubleday Publishing Group · Print & ebook · April 12, 1986

Reading lane: Stagecraft

A Theatre pick for readers exploring A Practical Handbook for the Actor.

At a Glance

Why This Clicks

Acting With Clarity

A grounded approach to acting, focused on finding truthful behavior within imaginary circumstances.

Come here for

  • A clear-eyed alternative to acting classes that leave the work vague
  • Practical tools for approaching a role

Expect

  • A technique shaped through the authors’ work with experienced theater artists
  • A direct focus on truthful action, not theatrical mystique

Book Details

Authors
Melissa Bruder, Lee Michael Cohn, Madeleine Olnek
Publisher
Knopf Doubleday Publishing Group
Published
April 12, 1986
Format
Print & ebook
Theme
Stagecraft · Theater Production & Direction
Reading lane
Stagecraft

Affinity

Publisher Categories

  • Acting

  • Stagecraft

  • Business of Performing Arts

About This Book

For anyone who has ever wanted to take an acting class, "this is the best book on acting written in the last twenty years" (David Mamet, from the Introduction). This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acti...

Read full description

For anyone who has ever wanted to take an acting class, "this is the best book on acting written in the last twenty years" (David Mamet, from the Introduction). This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools. An actor's job, the authors state, is to "find a way to live truthfully under the imaginary circumstances of the play." The ways in which an actor can attain that truth form the substance of this eloquent book.

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