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Twentieth-century Spanish American Fiction by Naomi Lindstrom

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Twentieth-century Spanish American Fiction

Naomi Lindstrom

University of Texas Press · Print & ebook · September 1, 1994

Reading lane: Caribbean & Latin American Criticism

A discovery pick for readers interested in Twentieth-century Spanish American Fiction.

At a Glance

Who It's For

General readers seeking an accessible overview of Latin American literatureScholars seeking a reference on twentieth-century Spanish American fiction

Book Details

Authors
Naomi Lindstrom
Publisher
University of Texas Press
Published
September 1, 1994
Format
Print & ebook
Theme
Caribbean & Latin American Criticism · Hispanic American Lit Crit
Reading lane
Caribbean & Latin American Criticism

Affinity

Publisher Categories

  • Caribbean & Latin American Criticism

About This Book

Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude , Manuel Puig's Kiss of the Spider Woman , Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits . Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America. In this book, Naomi Lindstrom offers Eng...

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Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude , Manuel Puig's Kiss of the Spider Woman , Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits . Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America. In this book, Naomi Lindstrom offers English-language readers a comprehensive survey of the century's literary production in Latin America (excluding Brazil). Discussing movements and trends, she places the famous masterworks in historical perspective and highlights authors and works that deserve a wider readership. Her study begins with Rodó's famous essay Ariel and ends with Rigoberta Menchú's 1992 achievement of the Nobel Prize. Her selection of works is designed to draw attention, whenever possible, to works that are available in good English translations. A special feature of the book is its treatment of the "postboom" period. In this important concluding section, Lindstrom discusses documentary narratives, the new interrelations between popular culture and literary writing, and underrepresented groups such as youth cultures, slum dwellers, gays and lesbians, and ethnic enclaves. Written in accessible, nonspecialized language, Twentieth-Century Spanish American Fiction will be equally useful for general readers as a broad overview of this vibrant literature and for scholars as a reliable reference work.

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