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Five Comedies From the Italian Renaissance by Laura Giannetti

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Five Comedies From the Italian Renaissance

Laura Giannetti, Guido Ruggiero

Johns Hopkins University Press · Print & ebook · July 3, 2003

Reading lane: Italian Plays

A Plays pick for readers exploring Five Comedies From the Italian Renaissance.

At a Glance

Who It's For

Good for readers interested in witty, ribald Italian Renaissance comedyGood for readers interested in the social and cultural context of Renaissance comedy

Book Details

Authors
Laura Giannetti, Guido Ruggiero
Publisher
Johns Hopkins University Press
Published
July 3, 2003
Format
Print & ebook
Theme
Italian Plays · Italian Literary Criticism
Reading lane
Italian Plays

Affinity

Publisher Categories

  • Italian Plays

  • Italian Literary Criticism

  • Theater History & Criticism

About This Book

A fresh translation of five important and popular comedies from the Italian Renaissance, along with an introduction addressing the texts, their translation, and the social and cultural world of Renaissance comedy. At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form—the ancient Latin comedy—to create witty, ribald, and intricately plotted plays that delighted Renaissance audiences with their clever reversals of gender and class ro...

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A fresh translation of five important and popular comedies from the Italian Renaissance, along with an introduction addressing the texts, their translation, and the social and cultural world of Renaissance comedy. At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form—the ancient Latin comedy—to create witty, ribald, and intricately plotted plays that delighted Renaissance audiences with their clever reversals of gender and class roles. Five Comedies from the Italian Renaissance brings together the best of these works in lively new translations by Laura Giannetti and Guido Ruggiero, who also place the comedies in their cultural and social context. Presenting a fresh perspective on the Italian Renaissance, these deft translations allow modern readers to experience the original artistry and carnivalesque humor of these delightfully profane and irreverent literary classics. The five plays: The Comedy of Calandro by Bernardo Dovizi de Bibbiena; The Mandrake Root by Niccolò Machiavelli; The Master of the Horse by Pietro Aretino; The Deceived by the Academy of the Intronati of Siena; and A Venetian Comedy by anonymous

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