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All Y'all by Heidi Siegrist

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All Y'all

Queering Southernness in US Fiction, 1980-2020

Heidi Siegrist

The University of North Carolina Press · Print & ebook · November 12, 2024

Reading lane: Queer Literary Criticism

The South is often perceived as a haunted place in its region’s literature, one that is strange, deviant, or “queer.” The peculiar, often sexually charged literary worlds of contemporary writers like Fannie Flagg, Monique Truong, and Randall Kenan speak to this connection between queerness and the South.

At a Glance

Who It's For

Good for readers who enjoy Queer Literary CriticismGood for readers who enjoy Queer Literary Criticism and Southern U.S. History.

Book Details

Authors
Heidi Siegrist
Publisher
The University of North Carolina Press
Published
November 12, 2024
Format
Print & ebook
Theme
Queer Literary Criticism · Southern U.S. History
Reading lane
Queer Literary Criticism

Affinity

Publisher Categories

  • Queer Literary Criticism

  • Regional American Literature

  • Gender Studies

About This Book

The South is often perceived as a haunted place in its region’s literature, one that is strange, deviant, or “queer.” The peculiar, often sexually charged literary worlds of contemporary writers like Fannie Flagg, Monique Truong, and Randall Kenan speak to this connection between queerness and the South. Heidi Siegrist explores the boundaries of negotiating place and sexuality by using the concept of Southernness—a purposefully fluid idea of the South that extends beyond sim...

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The South is often perceived as a haunted place in its region’s literature, one that is strange, deviant, or “queer.” The peculiar, often sexually charged literary worlds of contemporary writers like Fannie Flagg, Monique Truong, and Randall Kenan speak to this connection between queerness and the South. Heidi Siegrist explores the boundaries of negotiating place and sexuality by using the concept of Southernness—a purposefully fluid idea of the South that extends beyond simple geography, eschewing familiar ideas of the Southern canon. When the connection between queerness and Southerness becomes apparent, Siegrist shows a Southern-branded queer deviance can not only change the way we think about literature but can also change Southern queer people’s lived experiences. Siegrist gathers a bevy of undertheorized writers, from Kenan and Truong to Dorothy Allison and even George R. R. Martin, showing that there are many “queer Souths.” Siegrist offers these multiverses as a way to appreciate a place that is often unfriendly, even deadly, to queer people. But as Siegrist argues, none of these Souths, from the terrestrial to the imaginary, would be what they are without the influence and power of queer literature.

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