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The Practice of Satire in England, 1658-1770 by Ashley Marshall
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The Practice of Satire in England, 1658-1770

Johns Hopkins University Press · 2013-06-28

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Who It's For

  • Good for readers who enjoy LITERARY CRITICISM / Modern / 18th Century
  • Good for readers interested in literary
  • Strong fit for readers who prefer grounded, real-world context.

What You Get

  • Themes: History, Literature, Political.
  • Reading lane: Modern and European.
  • Publisher: Johns Hopkins University Press.

Categories

What we read3

  • LITERARY CRITICISM / Modern / 18th Century

    78%
  • Literary Criticism / European / English, Irish, Scottish, Welsh

    75%
  • LITERARY CRITICISM / Modern / 19th Century

    73%

About This Book

An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770 , Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hun...

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An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770 , Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad , and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.

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