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The Freedom to Remember by Angelyn Mitchell

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The Freedom to Remember

Narrative, Slavery, and Gender in Contemporary Black Women's Fiction

Angelyn Mitchell

Rutgers University Press · Print & ebook · March 1, 2002

Reading lane: African American Literary Criticism

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At a Glance

Who It's For

Good for readers interested in contemporaryGood for readers who enjoy African American Literary Criticism and Women Authors Criticism.

Book Details

Authors
Angelyn Mitchell
Publisher
Rutgers University Press
Published
March 1, 2002
Format
Print & ebook
Theme
African American Literary Criticism · Women Authors Criticism
Reading lane
African American Literary Criticism

Affinity

Publisher Categories

  • African American Literary Criticism

  • African American Studies

About This Book

The Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s Kindred , Sherley Anne Williams’s Dessa Rose , Toni Morrison’s Beloved , J. California Cooper’s Family , and Lorene Cary’s The Price of a Child . Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of the...

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The Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s Kindred , Sherley Anne Williams’s Dessa Rose , Toni Morrison’s Beloved , J. California Cooper’s Family , and Lorene Cary’s The Price of a Child . Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of these narratives, focusing on the theme of freedom, not slavery, defining these works as “liberatory narratives.” These works create a space to problematize the slavery/freedom dichotomy from which contemporary black women writers have the “safe” vantage point to reveal aspects of enslavement that their ancestors could not examine. The nineteenth-century female emancipatory narrative, by contrast, was written to aid the cause of abolition by revealing the unspeakable realities of slavery. Mitchell shows how the liberatory narrative functions to emancipate its readers from the legacies of slavery in American society: by facilitating a deeper discussion of the issues and by making them new through illumination and interrogation.

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