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Flowering Tales by Takeshi Watanabe

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Flowering Tales

Women Exorcising History in Heian Japan

Takeshi Watanabe

WW Norton · Print & ebook · January 7, 2020

Reading lane: Japanese Literary Criticism

Telling stories: that sounds innocuous enough.

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Who It's For

Good for readers interested in book clubGood for readers who enjoy Japanese Literary Criticism and Japanese Literary Collections.

Book Details

Authors
Takeshi Watanabe
Publisher
WW Norton
Published
January 7, 2020
Format
Print & ebook
Theme
Japanese Literary Criticism · Japanese Literary Collections
Reading lane
Japanese Literary Criticism

Affinity

Publisher Categories

  • Japanese Literary Criticism

  • Medieval Literary Criticism

  • LITERARY CRITICISM / Subjects & Themes / Women

About This Book

Telling stories: that sounds innocuous enough. But for the first chronicle in the Japanese vernacular, A Tale of Flowering Fortunes ( Eiga monogatari ), there was more to worry about than a good yarn. The health of the community was at stake. Flowering Tales is the first extensive literary study of this historical tale, which covers about 150 years of births, deaths, and happenings in late Heian society, a golden age of court literature in women’s hands. Takeshi Watanabe con...

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Telling stories: that sounds innocuous enough. But for the first chronicle in the Japanese vernacular, A Tale of Flowering Fortunes ( Eiga monogatari ), there was more to worry about than a good yarn. The health of the community was at stake. Flowering Tales is the first extensive literary study of this historical tale, which covers about 150 years of births, deaths, and happenings in late Heian society, a golden age of court literature in women’s hands. Takeshi Watanabe contends that the blossoming of tales, marked by the Tale of Genji, inspired Eiga ’s new affective history: an exorcism of embittered spirits whose stories needed to be retold to ensure peace. Tracing the narrative arcs of politically marginalized figures, Watanabe shows how Eiga ’s female authors adapted the discourse and strategies of the Tale of Genji to rechannel wayward ghosts into the community through genealogies that relied not on blood but on literary resonances. These reverberations, highlighted through comparisons to contemporaneous accounts in courtiers’ journals, echo through shared details of funerary practices, political life, and characterization. Flowering Tales reanimates these eleventh-century voices to trouble conceptions of history: how it ought to be recounted, who got to record it, and why remembering mattered.

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