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Genius and Ink: Virginia Woolf on How to Read by Virginia Woolf

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Genius and Ink: Virginia Woolf on How to Read

Virginia Woolf, Francesca Wade, Ali Smith

HarperCollins Publishers · Paperback · November 12, 2020

Reading lane: British & Irish Literary Criticism

FOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf?

At a Glance

Why This Clicks

Reading Closely

A compact Woolf companion for reading closely, thinking sharply, and keeping your pencil nearby.

Come here for

  • Woolf on reading, with a critic’s steady hand
  • A serious, browsable guide to classic novels

Expect

  • Nonfiction criticism, not a plot-driven read
  • Layered, reference-friendly essays

Book Details

Authors
Virginia Woolf, Francesca Wade, Ali Smith
Publisher
HarperCollins Publishers
Published
November 12, 2020
Format
Paperback
Theme
British & Irish Literary Criticism · Women Authors Criticism
Reading lane
British & Irish Literary Criticism

Affinity

Publisher Categories

  • Lives in Journalism

  • Essay Collections

  • Feminist Lit Crit

  • British & Irish Literary Criticism

About This Book

FOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf? In the early years of its existence, the Times Literary Supplement published some of the finest writers in English: T. S. Eliot, Henry James and E. M. Forster among them. But one of the paper’s defining voices was Virginia Woolf, who produced a string of superb essays between the two World Wars. The weirdness of Elizabethan plays,...

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FOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf? In the early years of its existence, the Times Literary Supplement published some of the finest writers in English: T. S. Eliot, Henry James and E. M. Forster among them. But one of the paper’s defining voices was Virginia Woolf, who produced a string of superb essays between the two World Wars. The weirdness of Elizabethan plays, the pleasure of revisiting favourite novels, the supreme examples of Charlotte Brontë, George Eliot and Henry James, Thomas Hardy and Joseph Conrad: all are here, in anonymously published pieces, in which may be glimpsed the thinking behind Woolf’s works of fiction and the enquiring, feminist spirit of A Room of One’s Own . Here is Woolf the critical essayist, offering, at one moment, a playful hypothesis and, at another, a judgement laid down with the authority of a twentieth-century Dr Johnson. Here is Woolf working out precisely what’s great about Hardy, and how Elizabeth Barrett Browning made books a “substitute for living” because she was “forbidden to scamper on the grass”. Above all, here is Virginia Woolf the reader, whose enthusiasm for great literature remains palpable and inspirational today.

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