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New insights into literary history and the history of ideas provide a framework for innovative close readings—of Horace Walpole's The Castle of Otranto , Ann Radcliffe's The Italian , and Mary Shelley's Frankenstein , among others—that approach classics of the genre from unusual angles. The book also provides a thoroughly researched account of German romantic psychology as it developed out of Kant's idealist philosophy into a gothic sensibility. 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