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The Dancing Girls of Lahore by Louise Brown

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The Dancing Girls of Lahore

Selling Love and Saving Dreams in Pakistan's Pleasure District

Louise Brown

HarperCollins · Print & ebook · July 3, 2006

Reading lane: How Cultures Work

An unforgettable and compassionate look at the lives of the residents of Lahore’s pleasure district The Dancing Girls of Lahore inhabit the Diamond District in the shadow of a great mosque.

At a Glance

Why This Clicks

Lives Behind the Dance

An intimate, compassionate account brings Lahore’s pleasure district into view without looking away from its costs.

Come here for

  • A close look at courtesan family life in Lahore
  • The history and legacy of dancing girls’ art

Expect

  • Understated, intimate storytelling grounded in a four-year study
  • A clear-eyed account of hardship, inheritance, and difficult choices

Book Details

Authors
Louise Brown
Publisher
HarperCollins
Published
July 3, 2006
Format
Print & ebook
Theme
How Cultures Work · Dance History
Reading lane
How Cultures Work

Affinity

Publisher Categories

  • Women's Lives

  • Indian & South Asian History

  • Islamic History

  • Faith

Show all 8 publisher categories
  • Religion & Gender

  • How Cultures Work

  • Feminist Theory & Criticism

  • Social Work

About This Book

An unforgettable and compassionate look at the lives of the residents of Lahore’s pleasure district The Dancing Girls of Lahore inhabit the Diamond District in the shadow of a great mosque. The 21st century goes on outside the walls, this ancient quarter, but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: beloved by sultans, their sophisticated art encompassed the best of Mughal cul...

Read full description

An unforgettable and compassionate look at the lives of the residents of Lahore’s pleasure district The Dancing Girls of Lahore inhabit the Diamond District in the shadow of a great mosque. The 21st century goes on outside the walls, this ancient quarter, but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: beloved by sultans, their sophisticated art encompassed the best of Mughal culture. The modern day Bollywood aesthetic, with its love of gaudy spectacle, music, and dance, is their distant legacy. But the life of the pampered courtesan is not the one now being lived by Maha and her three girls. What they do is forbidden by Islam, though tolerated; but they are, unclean, and Maha’s daughters, like her, are born into the business and will not leave it. Sociologist Louise Brown spent four years in the most intimate study of the family life of one Lahori courtesan. Beautifully understated, it turns a novelist’s eye on a true story that beggars the imagination. Maha, at fourteen a classically trained dancer of exquisite grace, had her virginity sold to the Sultan of Dubai; when her own daughter Nena comes of age and Maha cannot bring in the money she once did, she faces a terrible decision as the agents of the Sultan come calling once more.

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