{"schema_version":"bf_book_companion_v1","release_id":"20261010T034321Z-reviewed-full-unique-works","book":{"amazon_purchase_url":"https://www.amazon.com/dp/1844570940?tag=bookfrontie00-20","asin":"1844570940","authors":["Ian Christie","Andrew Moor"],"book_id":"9781844570942","canonical_url":"https://bookfrontier.com/books/the-cinema-of-michael-powell-9781844570942","cover_image_url":"https://img.bookfrontier.com/9781844570942.jpg?v=4b25e275c4452aa5","description":"The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I'm Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them 'the most successful experimental film-makers in the world'). In this first-ever collection of essays on Powell, an international group of critics and scholars map out his film-making skills, providing new readings of individual films, analysing recurrent techniques and themes, and relating them to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance.","forthcoming":false,"isbn13":"9781844570942","publication_date":"20050706","publisher":"British Film Institute","slug":"the-cinema-of-michael-powell","subtitle":"International Perspectives on an English Filmmaker","title":"The Cinema of Michael Powell"},"discovery":{"categories":{"all":[{"bisac_code":"PER004010","confidence_band":"medium","label":"Film Direction & Production","score":0.7633,"source":"bisac_hint_model"},{"bisac_code":"PER004030","confidence_band":"medium","label":"Film History","score":0.7628,"source":"bisac_hint_model"},{"bisac_code":"PER004040","confidence_band":"medium","label":"Film Reference","score":0.7239,"source":"bisac_hint_model"}],"hint":[{"bisac_code":"PER004010","confidence_band":"medium","label":"Film Direction & Production","score":0.7633,"source":"bisac_hint_model"},{"bisac_code":"PER004030","confidence_band":"medium","label":"Film History","score":0.7628,"source":"bisac_hint_model"},{"bisac_code":"PER004040","confidence_band":"medium","label":"Film Reference","score":0.7239,"source":"bisac_hint_model"}],"publisher":[{"bisac_code":"PER000000","confidence_band":"high","label":"Performing Arts","score":1,"source":"onix_publisher_code"},{"bisac_code":"PER004000","confidence_band":"high","label":"Film & Cinema","score":1,"source":"onix_publisher_code"},{"bisac_code":"PER004010","confidence_band":"high","label":"Film Direction & Production","score":1,"source":"onix_publisher_code"}]},"genres":[{"label":"Film Direction & Production","score":0.7633,"slug":"film-direction-production"},{"label":"Film History","score":0.7628,"slug":"film-history"},{"label":"Film Reference","score":0.7239,"slug":"film-reference"}],"reader_fit":["For readers interested in critical analyses of Michael Powell’s films.","For readers exploring film technique and debates about gender, sexuality, and nationality."],"related_lists":[],"series":null,"similar_books":[{"authors":["Ian Haydn Smith"],"book_id":"9780500298565","cover_image_url":"https://img.bookfrontier.com/9780500298565.jpg?v=87c6fc888847a364","score":0.6693,"title":"A Chronology of Film","url":"https://bookfrontier.com/books/9780500298565"},{"authors":["Chris Marker"],"book_id":"9781965874004","cover_image_url":"https://img.bookfrontier.com/9781965874004.jpg?v=af4fa33289797331","score":0.6475,"title":"Eternal Current Events","url":"https://bookfrontier.com/books/9781965874004"},{"authors":["Jen Francis","Cheryl Robson","David Olusoga","Dennis Lim"],"book_id":"9781913641177","cover_image_url":"https://img.bookfrontier.com/9781913641177.jpg?v=cb64d1a7a3d4a1d5","score":0.6472,"title":"In the Scene","url":"https://bookfrontier.com/books/9781913641177"},{"authors":["Christina Parker-Flynn"],"book_id":"9781978825062","cover_image_url":"https://img.bookfrontier.com/9781978825062.jpg?v=67adce3ed9cf71b0","score":0.6287,"title":"Artificial Generation","url":"https://bookfrontier.com/books/9781978825062"},{"authors":["Lyn Miller-Lachmann","Tanisia Moore"],"book_id":"9781641606103","cover_image_url":"https://img.bookfrontier.com/9781641606103.jpg?v=1df07e3d5a80b679","score":0.6269,"title":"Film Makers","url":"https://bookfrontier.com/books/9781641606103"},{"authors":["Antoine de Baecque","Noël Herpe","Steven Rendall","Lisa Neal"],"book_id":"9780231175593","cover_image_url":"https://img.bookfrontier.com/9780231175593.jpg?v=a3757737f1c9bcc0","score":0.6227,"title":"Éric Rohmer","url":"https://bookfrontier.com/books/9780231175593"},{"authors":["Alison Maloney"],"book_id":"9780062422248","cover_image_url":"https://img.bookfrontier.com/9780062422248.jpg?v=16f77cb27dd18ba1","score":0.6096,"title":"The World of Mr. Selfridge","url":"https://bookfrontier.com/books/9780062422248"},{"authors":["John Thornton Caldwell"],"book_id":"9780822341116","cover_image_url":"https://img.bookfrontier.com/9780822341116.jpg?v=20642e4f23f5cc23","score":0.6054,"title":"Production Culture","url":"https://bookfrontier.com/books/9780822341116"}],"topics":[],"what_you_get":["Themes: Romantic longing, Spiritual crisis, Gender, sexuality, and nationality.","Reading lane: Film Direction & Production and Film History.","Publisher: British Film Institute."]},"llm_signals":{"confidence":0.92,"pacing":"unknown","reader_fit":["For readers interested in critical analyses of Michael Powell’s films.","For readers exploring film technique and debates about gender, sexuality, and nationality."],"themes":["Romantic longing","Spiritual crisis","Gender, sexuality, and nationality"],"tropes":[]},"source_presence":{"amazon":true,"book_detail":true,"goodreads":true,"llm_signals":true,"similarity_seed":true},"stats":{"amazon_ratings_count":0,"goodreads_ratings_count":6,"goodreads_reviews_count":1,"quality_score":0.8217}}