BookFrontier
The Cinema of Michael Powell by Ian Christie

Book

The Cinema of Michael Powell

International Perspectives on an English Filmmaker

Ian Christie, Andrew Moor

British Film Institute · Print & ebook · July 6, 2005

Reading lane: Film Direction & Production

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I'm Going!

At a Glance

Who It's For

For readers interested in critical analyses of Michael Powell’s films.For readers exploring film technique and debates about gender, sexuality, and nationality.

Book Details

Authors
Ian Christie, Andrew Moor
Publisher
British Film Institute
Published
July 6, 2005
Format
Print & ebook
Theme
Film Direction & Production · Film History
Reading lane
Film Direction & Production

Affinity

Publisher Categories

  • Performing Arts

  • Film & Cinema

  • Film Direction & Production

About This Book

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I'm Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them 'the most successful ex...

Read full description

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I'm Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them 'the most successful experimental film-makers in the world'). In this first-ever collection of essays on Powell, an international group of critics and scholars map out his film-making skills, providing new readings of individual films, analysing recurrent techniques and themes, and relating them to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance.

Similar Books