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Neoclassicism and Romanticism: Architecture, Sculpture, Painting, Drawing by ROLF TOMAN

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Neoclassicism and Romanticism: Architecture, Sculpture, Painting, Drawing

ROLF TOMAN

hf ULLMANN · Print & ebook · January 15, 2011

Reading lane: Romanticism Art History

A Art pick for readers exploring Neoclassicism and Romanticism: Architecture, Sculpture, Painting, Drawing.

At a Glance

Who It's For

Readers seeking an overview of art movements from 1750 to 1848Good for readers interested in Neoclassical and Romantic art in Europe and North America

Book Details

Authors
ROLF TOMAN
Publisher
hf ULLMANN
Published
January 15, 2011
Format
Print & ebook
Theme
Romanticism Art History · Baroque & Rococo Art History
Reading lane
Romanticism Art History

Affinity

Publisher Categories

  • Romanticism Art History

About This Book

This comprehensive volume provides readers with multi-faceted insights into the full abundance of all the movements and schools of art between 1750 and 1848. It presents a comprehensive overview of the development of Neo-classicist and Romantic art in Europe and North America. It features illuminating excursions into areas such as the foundations of Neoclassicism in the Renaissance architecture of Andrea Palladio (1508-1580). It discusses European painting between two revolu...

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This comprehensive volume provides readers with multi-faceted insights into the full abundance of all the movements and schools of art between 1750 and 1848. It presents a comprehensive overview of the development of Neo-classicist and Romantic art in Europe and North America. It features illuminating excursions into areas such as the foundations of Neoclassicism in the Renaissance architecture of Andrea Palladio (1508-1580). It discusses European painting between two revolutions: the development of painting in France from Jacques Louis David through to Jean-Auguste-Dominique Ingres and his antipode, Eugene Delacroix. It is richly illustrated with photographs taken exclusively for this book. Neoclassicism, as a return to the forms and ideals of ancient art, and Romanticism, as an intellectual attitude, are no longer seen as mutually exclusive alternatives.

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