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Monsters and Myths by Oliver Shell

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Monsters and Myths

Surrealism & War in the 1930s and 1940s

Oliver Shell, Oliver Tostmann

Rizzoli · Print & ebook · October 16, 2018

Reading lane: Modern Art History (to 1945)

This revelatory survey of Surrealist masterworks of the 1930s and 1940s by artists such as Salvador Dalí, Joan Miró, Max Ernst, and André Masson presents the movement through a new and timely lens--that of war, violence, and exile.

At a Glance

Who It's For

Good for readers interested in Surrealist art shaped by war, violence, and exileReaders exploring European and American avant-garde art of the 1930s and 1940s

Book Details

Authors
Oliver Shell, Oliver Tostmann
Publisher
Rizzoli
Published
October 16, 2018
Format
Print & ebook
Theme
Modern Art History (to 1945) · Group Show Catalogs
Reading lane
Modern Art History (to 1945)

Affinity

Publisher Categories

  • Group Show Catalogs

  • Modern Art History (to 1945)

  • Art & Politics

About This Book

This revelatory survey of Surrealist masterworks of the 1930s and 1940s by artists such as Salvador Dalí, Joan Miró, Max Ernst, and André Masson presents the movement through a new and timely lens--that of war, violence, and exile. During the pivotal years between the world wars, Surrealist artists on both sides of the Atlantic responded through their works to the rise of Hitler and the spread of Fascism in Europe, resulting in a period of surprising brilliance and fertility...

Read full description

This revelatory survey of Surrealist masterworks of the 1930s and 1940s by artists such as Salvador Dalí, Joan Miró, Max Ernst, and André Masson presents the movement through a new and timely lens--that of war, violence, and exile. During the pivotal years between the world wars, Surrealist artists on both sides of the Atlantic responded through their works to the rise of Hitler and the spread of Fascism in Europe, resulting in a period of surprising brilliance and fertility. Monstrosities in the real world bred monsters in paintings and sculpture, on film, and in the pages of journals and artists' books. Despite the political and personal turmoil brought on by the Spanish Civil War and World War II, avant-garde artists in Europe and those who sought refuge in the United States pushed themselves to create some of the most potent and striking images of the Surrealist movement. Trailblazing essays by four experts in the field trace the experimental and international extent of Surrealist art during these years--and, perhaps most unexpectedly of all, its irrepressible beauty.

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