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Junk by Tommy Pico

Book

Junk

1st Edition, Kindle Edition

Tommy Pico

Zando · Ebook · May 8, 2018

Reading lane: Poetry About Death

An NPR Best Book of the Year From 2018 Whiting Award winner Tommy Pico, Junk is a book-length break-up poem that explores the experience of loss and erasure, both personal and cultural.

At a Glance

Why This Clicks

Loss, With Bite

A breakup poem pairs personal and cultural erasure with sharp contrasts, pop-cultural nods, and snack-food wit.

Come here for

  • Couplets that put ice floes beside hot lava
  • Questions of identity, loss, and what remains useful

Expect

  • A playful register alongside serious reckonings
  • A book-length breakup poem with cultural reach

Book Details

Authors
Tommy Pico
Publisher
Zando
Published
May 8, 2018
Format
Ebook
Theme
Poetry About Death · Place Poetry
Reading lane
Poetry About Death

Affinity

Publisher Categories

  • Native American Poetry

  • LGBTQ+ Poetry

  • Poetry About Death

About This Book

An NPR Best Book of the Year From 2018 Whiting Award winner Tommy Pico, Junk is a book-length break-up poem that explores the experience of loss and erasure, both personal and cultural. The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what...

Read full description

An NPR Best Book of the Year From 2018 Whiting Award winner Tommy Pico, Junk is a book-length break-up poem that explores the experience of loss and erasure, both personal and cultural. The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos?

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