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Italian Renaissance Tales by Anthony Mortimer

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Italian Renaissance Tales

Anthony Mortimer, Giovanni Boccaccio, Giovanni Fiorentino

Oxford University Press · Paperback · October 11, 2019

Reading lane: Literary Criticism

"Thus she was decapitated, and this was the end to which she was brought by her unbridled lusts." For over two centuries after Boccaccio's groundbreaking Decameron, the Italian novella exercised a crucial influence over European prose fiction.

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Good for readers who enjoy Literary CriticismGood for readers interested in short storiesGood for fans of Short Stories

Book Details

Authors
Anthony Mortimer, Giovanni Boccaccio, Giovanni Fiorentino
Publisher
Oxford University Press
Published
October 11, 2019
Format
Paperback
Theme
Literary Criticism
Reading lane
Literary Criticism

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Publisher Categories

  • Literary Criticism

About This Book

"Thus she was decapitated, and this was the end to which she was brought by her unbridled lusts." For over two centuries after Boccaccio's groundbreaking Decameron, the Italian novella exercised a crucial influence over European prose fiction. With thirty-nine stories by nineteen authors, many translated for the first time, this anthology presents tales from the whole genre and period. Here we meet a rich cast of humble peasants and shrewd craftsmen, frustrated wives, libidi...

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"Thus she was decapitated, and this was the end to which she was brought by her unbridled lusts." For over two centuries after Boccaccio's groundbreaking Decameron, the Italian novella exercised a crucial influence over European prose fiction. With thirty-nine stories by nineteen authors, many translated for the first time, this anthology presents tales from the whole genre and period. Here we meet a rich cast of humble peasants and shrewd craftsmen, frustrated wives, libidinous friars, ill-fated lovers, and vengeful nobles. These works had a considerable impact in English, and the selection includes tales that have provided sources for Chaucer, Shakespeare, Webster, Marston, Dryden, Byron and Keats. The typical novella is situated in a precise time and place and features people who either existed historically or are presumed to have done so. The subject-matter, whether ribald or sentimental, comic or tragic, often reflects the social and economic conditions of its age and thus the novella has been seen as a crucial stage in the development of fictional realism and the emergence of the novel

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