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Camille Pissarro by Anka Muhlstein

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Camille Pissarro

The Audacity of Impressionism

Anka Muhlstein

Other Press · Print & ebook · November 28, 2023

Reading lane: Modern Art History (to 1945)

A Best Book of 2023 by The New Yorker From the acclaimed biographer and author of Balzac’s Omelette , an engaging new work on the life of “the father of Impressionism” and the role his Jewish background played in his artistic creativity.

At a Glance

Why This Clicks

Art and Belonging

An intimate portrait of Pissarro connects his artistic independence with the complexities of identity.

Come here for

  • A painter’s place among Monet, Degas, Cassatt, Cézanne, Gauguin, and Van Gogh
  • The role Pissarro’s Jewish background played in his creativity

Expect

  • A nuanced portrait drawn from art and candid letters
  • An artist both central to his circle and hard to classify

Book Details

Authors
Anka Muhlstein
Publisher
Other Press
Published
November 28, 2023
Format
Print & ebook
Theme
Modern Art History (to 1945) · Artist Monographs
Reading lane
Modern Art History (to 1945)

Affinity

Publisher Categories

  • Contemporary Art History (1945-)

  • Artists' Lives

  • Jewish Lives

About This Book

A Best Book of 2023 by The New Yorker From the acclaimed biographer and author of Balzac’s Omelette , an engaging new work on the life of “the father of Impressionism” and the role his Jewish background played in his artistic creativity. The celebrated painter Camille Pissarro (1830–1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas’s and Mary...

Read full description

A Best Book of 2023 by The New Yorker From the acclaimed biographer and author of Balzac’s Omelette , an engaging new work on the life of “the father of Impressionism” and the role his Jewish background played in his artistic creativity. The celebrated painter Camille Pissarro (1830–1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas’s and Mary Cassatt’s experimental work, a support to Cézanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify. Settled in France from the age of twenty-five but born in the Caribbean, he was not French and what is more he was Jewish. Although a resolute atheist who never interjected political or religious messages in his art, he was fully aware of the consequences of his lineage. Drawing on Pissarro’s considerable body of work and a vast collection of letters that show his unrestrained thoughts, Anka Muhlstein offers a nuanced, intimate portrait of the artist whose independent spirit fostered an environment of freedom and autonomy.

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