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I Do Everything I'm Told by Megan Fernandes

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I Do Everything I'm Told

Megan Fernandes

Zando · Paperback · June 20, 2023

Reading lane: Love Poetry

A TIME Best Book of 2023 “Moving . . . irresistible . . . transforms verse into multiverse.”— The New Yorker Restless, contradictory, and witty, Megan Fernandes’ I Do Everything I’m Told explores disobedience and worship, longing and possessiveness, and nights of wandering cities.

At a Glance

Why This Clicks

Restless Intimacies

Restless poems make desire, loss, and city-wandering feel witty, intimate, and a little uncanny.

Come here for

  • Desire and loss treated with frankness and sacred irreverence
  • Poems moving among real cities, surreal turns, and unruly intimacies

Expect

  • A witty voice that lets contradiction stay unresolved
  • A crown of sonnets alongside poems of wandering and longing

Book Details

Authors
Megan Fernandes
Publisher
Zando
Published
June 20, 2023
Format
Paperback
Theme
Love Poetry · Poetry About Death
Reading lane
Love Poetry

Affinity

Publisher Categories

  • American Poetry

  • Poetry About Death

  • Place Poetry

About This Book

A TIME Best Book of 2023 “Moving . . . irresistible . . . transforms verse into multiverse.”— The New Yorker Restless, contradictory, and witty, Megan Fernandes’ I Do Everything I’m Told explores disobedience and worship, longing and possessiveness, and nights of wandering cities. Its poems span thousands of miles, as a masterful crown of sonnets starts in Shanghai, then moves through Brooklyn, Los Angeles, Lisbon, Palermo, Paris, and Philadelphia—with a speaker who travels...

Read full description

A TIME Best Book of 2023 “Moving . . . irresistible . . . transforms verse into multiverse.”— The New Yorker Restless, contradictory, and witty, Megan Fernandes’ I Do Everything I’m Told explores disobedience and worship, longing and possessiveness, and nights of wandering cities. Its poems span thousands of miles, as a masterful crown of sonnets starts in Shanghai, then moves through Brooklyn, Los Angeles, Lisbon, Palermo, Paris, and Philadelphia—with a speaker who travels solo, adventures with strangers, struggles with the parameters of sexuality, and speculates on desire. Across four sections, poems navigate the terrain of queer, normative, and ambiguous intimacies with a frank intelligence: “It’s better to be illegible, sometimes. Then they can’t govern you.” Strangers, ancestors, priests, ghosts, the inner child, sisters, misfit raccoons, Rimbaud, and Rilke populate the pages. Beloveds are unnamed, and unrealized desires are grieved as actual losses. The poems are grounded in real cities, but also in a surrealist past or an impossible future, in cliché love stories made weird, in ordinary routines made divine, and in the cosmos itself, sitting on Saturn’s rings looking back at Earth. When things go wrong, Fernandes treats loss with a sacred irreverence: “Contradictions are a sign we are from god. We fall. We don’t always get to ask why.”

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