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Stories of the Street by David Lazar

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Stories of the Street

Reimagining Found Texts

David Lazar

Nebraska · Print & ebook · November 1, 2024

Reading lane: Street Photography

When walking down the street, it is not uncommon to see lost items that have escaped their proper receptacles, but how often does one stop to read the messages left behind?

At a Glance

Who It's For

For readers drawn to imaginative writing inspired by found textsFor readers interested in reflective observations of city life

Book Details

Authors
David Lazar
Publisher
Nebraska
Published
November 1, 2024
Format
Print & ebook
Theme
Street Photography · 21st Century Literature
Reading lane
Street Photography

Affinity

Publisher Categories

  • Photo Essays & Documentary

  • Street Photography

  • American Poetry

About This Book

When walking down the street, it is not uncommon to see lost items that have escaped their proper receptacles, but how often does one stop to read the messages left behind? David Lazar has stopped often, capturing the pieces of a “lost world on the streets” and thinking about the life of the discarder from the fragments left behind. Stories of the Street is a series of imaginative meditations—through prose poems, short-short essays, microfictions, and prose pieces without pr...

Read full description

When walking down the street, it is not uncommon to see lost items that have escaped their proper receptacles, but how often does one stop to read the messages left behind? David Lazar has stopped often, capturing the pieces of a “lost world on the streets” and thinking about the life of the discarder from the fragments left behind. Stories of the Street is a series of imaginative meditations—through prose poems, short-short essays, microfictions, and prose pieces without precise genre distinction—of what it means to encounter lost or discarded texts. Rather than simply deconstructing the lists, notes, receipts, or book pages he finds strewn in various cities, Lazar uses them as suggestive, capable of inspiring possible narratives that are at most latent in the text itself. The encounter, then, is an encounter with oneself and the mysteries of cities, where detritus frequently doubles as a sign saying, “Consider this.” Lazar’s narrative voice ranges in tone from the comically antic to the melancholy. By photographing what he describes as “messages that had escaped their bottles” on-location as found, Lazar has become a flaneur of paper debris, puzzling over the evidence of urban human life.

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