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The Lyric Theory Reader by Virginia Walker Jackson
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The Lyric Theory Reader

A Critical Anthology

Johns Hopkins University Press · 2014-02-01

The Lyric Theory Reader: A Critical Anthology

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Who It's For

  • Good for readers who enjoy Poetry / European / English, Irish, Scottish, Welsh
  • Good for readers interested in poetry
  • Good for fans of Poetry

What You Get

  • Themes: Poetry, Century, Literary.
  • Reading lane: European and Modern.
  • Publisher: Johns Hopkins University Press.

Categories

What we read

  • Poetry / European / English, Irish, Scottish, Welsh

    75%
  • LITERARY CRITICISM / Modern / 18th Century

    74%
  • Poetry / American / General

    74%

About This Book

Reading lyric poetry over the past century. The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a...

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Reading lyric poetry over the past century. The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today.

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