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Tinder Box by Anthony P. Hatch

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Tinder Box

The Iroquois Theatre Disaster 1903

Anthony P. Hatch

Chicago Review Press · Print & ebook · February 1, 2003

Reading lane: Theater History & Criticism

The Iroquois Theater in Chicago, boasting every modern convenience, advertised itself proudly as “absolutely fireproof” when it opened in November, 1903.

At a Glance

Why This Clicks

Theater’s Darkest Night

A celebrated Chicago theater’s promise of safety gave way to catastrophe and public scandal.

Come here for

  • The uneasy intersection of theater history and public safety
  • A case where official assurances met glaring failures

Expect

  • A devastating fire during a crowded matinee
  • Questions of access, oversight, and accountability

Book Details

Authors
Anthony P. Hatch
Publisher
Chicago Review Press
Published
February 1, 2003
Format
Print & ebook
Theme
Theater History & Criticism · Playwriting
Reading lane
Theater History & Criticism

Affinity

Publisher Categories

  • 20th-Century America

  • Midwest History

  • Disaster & Crisis Studies

About This Book

The Iroquois Theater in Chicago, boasting every modern convenience, advertised itself proudly as “absolutely fireproof” when it opened in November, 1903. Mr. Bluebeard, a fairy tale musical imported from the Drury Lane Theatre in London was the opening production. And leading the troupe of nearly 400 was one of the most popular comedians of the time, Eddie Foy. None of the many socialites and journalists who flocked to the shows were aware that city building inspectors and o...

Read full description

The Iroquois Theater in Chicago, boasting every modern convenience, advertised itself proudly as “absolutely fireproof” when it opened in November, 1903. Mr. Bluebeard, a fairy tale musical imported from the Drury Lane Theatre in London was the opening production. And leading the troupe of nearly 400 was one of the most popular comedians of the time, Eddie Foy. None of the many socialites and journalists who flocked to the shows were aware that city building inspectors and others had been bribed to certify that the theater was in good shape. In fact, the building was without a sprinkler system or even basic fire fighting equipment; there was no backstage telephone, fire alarm box, exit signs, a real asbestos curtain or ushers trained for emergencies. A month later, at a Christmas week matinee, the theater was illegally overcrowded with a standing room only crowd of mostly women and children. During the second act, a short circuit exploded a back stage spotlight touching off a small fire which spread in minutes throughout the theater. Panic set in as people clawed at each other to get out, but they could not find the exits, which were draped. The doorways, locked against gate-crashers, were designed to open in instead of out, creating almost impossible egress. The tragedy, which claimed more than 600 lives, became a massive scandal and it remains the worst theater fire in the history of the country.

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