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Trials of Arab Modernity by Tarek El-Ariss

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Trials of Arab Modernity

Literary Affects and the New Political

Tarek El-Ariss

Fordham University Press · Print & ebook · April 15, 2013

Reading lane: Middle Eastern Lit Crit

Challenging prevalent conceptualizations of modernity—which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation—this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa’a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy.

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Good for readers who enjoy Middle Eastern Lit CritGood for fans of Literary CriticismGood for readers who enjoy Middle Eastern Lit Crit and African Lit Crit.

Book Details

Authors
Tarek El-Ariss
Publisher
Fordham University Press
Published
April 15, 2013
Format
Print & ebook
Theme
Middle Eastern Lit Crit · African Lit Crit
Reading lane
Middle Eastern Lit Crit

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Publisher Categories

  • Middle Eastern Lit Crit

About This Book

Challenging prevalent conceptualizations of modernity—which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation—this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa’a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and...

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Challenging prevalent conceptualizations of modernity—which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation—this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa’a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.

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