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Creative Reckonings by Jessica Winegar

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Creative Reckonings

The Politics of Art and Culture in Contemporary Egypt

Jessica Winegar

Stanford University Press · Print & ebook · October 11, 2006

Reading lane: Ancient & Classical Art History

The Egyptian art world is the oldest and largest in the Arab Middle East.

At a Glance

Who It's For

Good for readers who enjoy Ancient & Classical Art HistoryGood for fans of AnthropologyGood for readers who enjoy Ancient & Classical Art History and Middle Eastern Lit Crit.

Book Details

Authors
Jessica Winegar
Publisher
Stanford University Press
Published
October 11, 2006
Format
Print & ebook
Theme
Ancient & Classical Art History · Middle Eastern Lit Crit
Reading lane
Ancient & Classical Art History

Affinity

Publisher Categories

  • How Cultures Work

About This Book

The Egyptian art world is the oldest and largest in the Arab Middle East. Its artists must reckon with the histories of ancient Egypt, European modernism, anti-colonial nationalism, and state socialism-all in the context of a growing neoliberal economy marked by American global dominance. At this crucial intersection of culture, politics, and economy, Egypt's art and artists provide unique insight into current struggles for cultural identity and sovereignty in the Middle Eas...

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The Egyptian art world is the oldest and largest in the Arab Middle East. Its artists must reckon with the histories of ancient Egypt, European modernism, anti-colonial nationalism, and state socialism-all in the context of a growing neoliberal economy marked by American global dominance. At this crucial intersection of culture, politics, and economy, Egypt's art and artists provide unique insight into current struggles for cultural identity and sovereignty in the Middle East. This book examines the heated cultural politics in today's Arab world, and tells how art-making has become an unexpectedly central part of that. It offers a lively analysis of the battles between artists, curators, and audiences over cultural authenticity, cultural policy, public art in a changing urban Egypt, and the new global marketing of Egyptian art. The art world it shows powerfully exemplifies how people in the Middle East reckon with global transformations that are changing how culture is made in societies with colonial and socialist pasts.

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