Romantic gothic fiction is not exciting. Gothic novels are not ghost stories. Gothic novels are not women's writing. Opening with these three theses, The Gothic Text undertakes a fresh approach to a much-studied mode. Marshall Brown combines the teleological approach to literary history developed in his Preromanticism with a European perspective on the one truly international literary form of its era. New insights into literary history and the history of ideas provide a fram...
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Romantic gothic fiction is not exciting. Gothic novels are not ghost stories. Gothic novels are not women's writing.
Opening with these three theses, The Gothic Text undertakes a fresh approach to a much-studied mode. Marshall Brown combines the teleological approach to literary history developed in his Preromanticism with a European perspective on the one truly international literary form of its era. New insights into literary history and the history of ideas provide a framework for innovative close readings—of Horace Walpole's The Castle of Otranto , Ann Radcliffe's The Italian , and Mary Shelley's Frankenstein , among others—that approach classics of the genre from unusual angles. The book also provides a thoroughly researched account of German romantic psychology as it developed out of Kant's idealist philosophy into a gothic sensibility. Accessibly written and argued in careful, lively detail, The Gothic Text gives many new impulses to the study of romanticism, nineteenth-century fiction, and the origins of psychoanalysis.
