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Walter Benjamin by David S. Ferris

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Walter Benjamin

Theoretical Questions

David S. Ferris, David Ferris

Stanford University Press · Print & ebook · July 1, 1996

Reading lane: German Literary Criticism

This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media.

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Who It's For

Good for readers who enjoy German Literary CriticismGood for readers who enjoy German Literary Criticism and European Lit Crit.

Book Details

Authors
David S. Ferris, David Ferris
Publisher
Stanford University Press
Published
July 1, 1996
Format
Print & ebook
Theme
German Literary Criticism · European Lit Crit
Reading lane
German Literary Criticism

Affinity

Publisher Categories

  • German Literary Criticism

About This Book

This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media. In an introductory essay, David S. Ferris discusses the problem of history, aura, and resistance in Benjamin’s later work and in its reception. Samuel Weber, in a reading of Benjamin’s most influential essay, “The...

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This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media. In an introductory essay, David S. Ferris discusses the problem of history, aura, and resistance in Benjamin’s later work and in its reception. Samuel Weber, in a reading of Benjamin’s most influential essay, “The Work of Art in the Age of Mechanical Reproduction,” analyzes the status of the image and technology in Benjamin’s own terms and in the shadow of Heidegger. Rodolphe Gasché devotes himself to an analysis of Benjamin’s dissertation on the German Romantics, providing a valuable guide to a major text that has yet to appear in English translation.

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