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Intertextuality in Contemporary African Literature by Ode Ogede

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Intertextuality in Contemporary African Literature

Looking Inward

Ode Ogede

Bloomsbury Academic · Print & ebook · August 18, 2011

Reading lane: Creative Writing

Intellectual exchange among African creative writers is the subject of this highly innovative and wide-ranging look at several forms of intertextuality on the continent.

At a Glance

Who It's For

Good for readers who enjoy Creative WritingGood for readers who enjoy Creative Writing.

Book Details

Authors
Ode Ogede
Publisher
Bloomsbury Academic
Published
August 18, 2011
Format
Print & ebook
Theme
Creative Writing
Reading lane
Creative Writing

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Publisher Categories

  • Creative Writing

About This Book

Intellectual exchange among African creative writers is the subject of this highly innovative and wide-ranging look at several forms of intertextuality on the continent. Focusing on the issue of the availability of old canonical texts of African literature as a creative resource, this study throws light on how African authors adapt, reinterpret, and redeploy existing texts in the formulation of new ones. Contemporary African writers are taking advantage of and extending the...

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Intellectual exchange among African creative writers is the subject of this highly innovative and wide-ranging look at several forms of intertextuality on the continent. Focusing on the issue of the availability of old canonical texts of African literature as a creative resource, this study throws light on how African authors adapt, reinterpret, and redeploy existing texts in the formulation of new ones. Contemporary African writers are taking advantage of and extending the resources available in the existing native literary tradition. But the field of inter-ethnic/trans-national African literary inter-textual studies is a novel one in itself as the theme of African writers' debt to Euro-American authors has been the critical commonplace in African literature. Detailing the echoes and reverberations the voices of the past have generated, and the distinctive uses to which the writers are putting one another's works, the book demonstrates that the influence of local stock is significant: it is pervasive and widespread, and manifests itself in ways both random and systematic, but it is a ubiquitous presence in the African literary imagination.

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