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Dutchman and the Slave by Leroi Jones

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Dutchman and the Slave

Two Plays

Leroi Jones

HarperCollins · Print & ebook · January 1, 1971

Reading lane: African American Plays

" Dutchman is designed to shock—its basic idea, its language and its murderous rage." — New York Times Centered squarely on the Negro-white conflict, both Dutchman and The Slave are shocking plays—in ideas, in language, in honest anger.

At a Glance

Why This Clicks

Theatre in Collision

Two plays meet racial conflict with blunt language, anger, and a forceful presence in American theatre.

Come here for

  • Black theatre confronting the Negro-white conflict
  • Plays whose ideas invite serious discussion

Expect

  • Shocking language and honest anger
  • A sharp fit for study or performance

Book Details

Authors
Leroi Jones
Publisher
HarperCollins
Published
January 1, 1971
Format
Print & ebook
Theme
African American Plays · Playwriting
Reading lane
African American Plays

Affinity

Publisher Categories

  • American Plays

  • African American Plays

  • Plays by Women

  • U.S. State & Local History

Show all 8 publisher categories
  • 19th-Century America

  • 20th-Century America

  • 21st-Century America

  • African American Studies

About This Book

" Dutchman is designed to shock—its basic idea, its language and its murderous rage." — New York Times Centered squarely on the Negro-white conflict, both Dutchman and The Slave are shocking plays—in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem—and they bring an eloquent and exceptionally powerful voice to the American theatre. Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim...

Read full description

" Dutchman is designed to shock—its basic idea, its language and its murderous rage." — New York Times Centered squarely on the Negro-white conflict, both Dutchman and The Slave are shocking plays—in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem—and they bring an eloquent and exceptionally powerful voice to the American theatre. Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

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