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On Late Style by Edward W. Said

Book

On Late Style

Music and Literature Against the Grain

Edward W. Said

Knopf Doubleday Publishing Group · Print & ebook · April 10, 2007

Reading lane: 20th-Century Literary Criticism

In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.

At a Glance

Why This Clicks

Art Against Its Time

Said considers how artistic lateness gathers contradiction across music, literature, film, and opera.

Come here for

  • Connections between Beethoven, Genet, Mozart, and other artists
  • A searching account of work made against prevailing tastes

Expect

  • Literary and musical criticism with an impassioned, reasoned voice
  • A focus on complexity and creative contradiction

Book Details

Authors
Edward W. Said
Publisher
Knopf Doubleday Publishing Group
Published
April 10, 2007
Format
Print & ebook
Theme
20th-Century Literary Criticism · 21st Century Literature
Reading lane
20th-Century Literary Criticism

Affinity

Publisher Categories

  • American Lit Crit

  • Music History

  • Aesthetics

About This Book

In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists. "These studies . . . buzz with excitement and intelligence and demonstrate...the extraordinary range of Said’s intellectual interests.” —Frank Kermode, London Review of Books Said shows how the approaching death of an artist can make its way into his work, examining essays, poems, novels, films, and operas by such artists as Beethoven, Ge...

Read full description

In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists. "These studies . . . buzz with excitement and intelligence and demonstrate...the extraordinary range of Said’s intellectual interests.” —Frank Kermode, London Review of Books Said shows how the approaching death of an artist can make its way into his work, examining essays, poems, novels, films, and operas by such artists as Beethoven, Genet, Mozart, Lampedusa, Euripides, Cavafy, and Mann, among others. He uncovers the conflicts and complexity that often distinguish artistic lateness, resulting in works that stood in direct contrast to what was popular at the time and were forerunners of what was to come in each artist's discipline–works of true genius. Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said's own great last work.

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